🔥 Today Only: Save 30% on Premium — Offer Ends Soon! - Upgrade Now!

Psychology And Music - IELTS Listening Answers & Explanations

From Cambridge IELTS 11 Academic Listening Test 4 · Part 3 · Questions 21–30

Audio

Questions

Questions 21–22 Multiple Choice (Two Answers)

Choose TWO letters, A-E.

21 22 Which TWO characteristics were shared by the subjects of Joanna’s psychology study?
  1. They had all won prizes for their music.
  2. They had all made music recordings.
  3. They were all under 27 years old.
  4. They had all toured internationally.
  5. They all played a string instrument.

Questions 23–24 Multiple Choice (Two Answers)

Choose TWO letters, A-E.

23 24 Which TWO points does Joanna make about her use of telephone interviews?
  1. It meant rich data could be collected.
  2. It allowed the involvement of top performers.
  3. It led to a stressful atmosphere at times.
  4. It meant interview times had to be limited.
  5. It caused some technical problems.

Questions 25–26 Multiple Choice (Two Answers)

Choose TWO letters, A-E.

25 26 Which TWO topics did Joanna originally intend to investigate in her research?
  1. regulations concerning concert dress
  2. audience reactions to the dress of performers
  3. changes in performer attitudes to concert dress
  4. how choice of dress relates to performer roles
  5. links between musical instrument and dress choice

Questions 27–30 Multiple Choice (One Answer)

Choose the correct letter, AB or C.

27 Joanna concentrated on women performers because
  1. women are more influenced by fashion.
  2. women’s dress has led to more controversy.
  3. women’s code of dress is less strict than men’s.
28 Mike Frost’s article suggests that in popular music, women’s dress is affected by
  1. their wish to be taken seriously.
  2. their tendency to copy each other.
  3. their reaction to the masculine nature of the music.
29 What did Joanna’s subjects say about the audience at a performance?
  1. The musicians’ choice of clothing is linked to respect for the audience.
  2. The clothing should not distract the audience from the music.
  3. The audience should make the effort to dress appropriately.
30 According to the speakers, musicians could learn from sports scientists about
  1. the importance of clothing for physical freedom.
  2. the part played by clothing in improving performance.
  3. the way clothing may protect against physical injury.

Answers & Explanations Summary

# Answer Evidence Explanation
Q21
Q22 B / D they’d done quite extensive tours in different continents
I wasn’t specifically look for artists who’d produced recordings, but this is something that’s just taken for granted these days, and they all had.
Excerpt/Transcript Explanation:
The transcript talks about how the subjects in Joanna's psychology study had done extensive tours in different continents. It also mentions that creating music recordings is common nowadays and something the subjects took for granted.
Answer Explanation:
The answer indicates that the shared characteristics among the subjects were that they had all made music recordings and they had all toured internationally.
Reason For Correctness:
The correct answer is B and D because the subjects in Joanna's study shared the traits of having made music recordings (choice B) and having toured internationally (choice D), as mentioned in the excerpt where it is highlighted that the subjects had done extensive tours and all had produced music recordings.
Q23
Q24 A / B I realised if I was going to interview leading musicians it’s only be possible over the phone because they’re so busy
And I don’t think using the phone meant I got less rich data rather the opposite in fact.
Excerpt/Transcript Explanation:
The transcript shows that Joanna preferred conducting interviews with busy musicians over the phone because they are easier to reach and schedule.
Answer Explanation:
The answer suggests that one point Joanna makes is related to collecting rich data through telephone interviews.
Reason For Correctness:
The correct answer is A because in the excerpt, Joanna mentions that using the phone did not result in less rich data. Instead, she implies that she actually received richer data through phone interviews.
Q25
Q26 B / E When I started I was more interested in trying to investigate the impact of what was worn on those listening
whether someone like a violinist might adopt a different style of clothing from, say, someone playing the flute or the trumpet
Excerpt/Transcript Explanation:
The transcript talks about how Joanna was initially interested in studying how the clothing worn by performers can affect the audience and if different musicians might dress differently based on the instrument they play.
Answer Explanation:
The answer involves looking at how performers dress and the connection between their attire and their musical instrument.
Reason For Correctness:
The correct answer matches with the topics Joanna originally intended to investigate, which were related to the connections between performers' dress choices and their roles, as well as the possible links between musicians and the attire they choose based on the instruments they play.
Q27 C in social terms the choices they have are more limited … they’d really upset audiences if they strayed away from quite narrow boundaries. Excerpt/Transcript Explanation:
The transcript is saying that women performers have fewer options and must follow strict guidelines when it comes to their dress code.
Answer Explanation:
The answer suggests that Joanna focused on women performers because women have less strict rules about how they dress compared to men.
Reason For Correctness:
The correct answer is supported by the excerpt because it highlights how women performers have limited choices and must stay within certain boundaries regarding their attire. This contrasts with men, indicating that women may have more flexibility or freedom in their dress code, which aligns with answer choice C.
Q28 A he suggests this is because otherwise they’d just be discounted as trivial. Excerpt/Transcript Explanation:
The transcript suggests that women must dress in a certain way in popular music in order to not be seen as unimportant.
Answer Explanation:
The answer suggests that women's dress in popular music is affected by their desire to be taken seriously.
Reason For Correctness:
The correct answer is A because it aligns with the idea that women dress a certain way in popular music to avoid being dismissed as unimportant, as mentioned in the excerpt. Choosing to dress seriously helps them prevent being overlooked.
Q29 A They believed the audience had certain expectations and it was up to them as performers to fulfil these expectations to show a kind of esteem … Excerpt/Transcript Explanation:
The transcript talks about how the performers believed that the audience had specific expectations for them. They felt it was their responsibility to meet these expectations to show respect and admiration to the audience.
Answer Explanation:
The answer choice A suggests that the musicians' choice of clothing is related to showing respect to the audience.
Reason For Correctness:
The correct answer is A because the excerpt implies that the performers believed they needed to fulfill the audience's expectations as a sign of esteem. This aligns with the idea that the musicians' clothing choice is linked to respect for the audience.
Q30 C I’d imagine some features of sports clothing could safeguard the players from the potentially dangerous effects of this sort of thing. Excerpt/Transcript Explanation:
The transcript talks about how sports clothing could protect players from harm.
Answer Explanation:
The answer means that clothing in sports can help prevent physical injuries.
Reason For Correctness:
The correct answer is C, the way clothing may protect against physical injury, because the excerpt mentions that sports clothing can safeguard players from dangerous effects, indicating a protective role in preventing harm during sports activities.

Transcript

SUPERVISOR: Hi, Joanna, good to meet you. Now, before we discuss your new research project. I’d like to hear something about the psychology study you did last year for your Master’s degree. So how did you choose your subjects for that?

JOANNA: Well, I had six subjects, all professional musicians, and all female. There were violinists and there was also a cello player and a pianist and a flute player. They were all very highly regarded in the music world and they’d done quite extensive tours in different continents, and quite a few had won prizes and competitions as well.

SUPERVISOR: And they were quite young, weren’t they?

JOANNA: Yes, between 25 and 29 – the mean was 27.8. I wasn’t specifically look for artists who’d produced recordings, but this is something that’s just taken for granted these days, and they all had.

SUPERVISOR: Right. Now you collected your data through telephone interviews, didn’t you?

JOANNA: Yes. I realised if I was going to interview leading musicians it’s only be possible over the phone because they’re so busy. I recorded them using a telephone recording adaptor. I’d been worried about the quality, but it worked out all right. I managed at least a 30-minute interview with each subject, sometimes longer.

SUPERVISOR: Did doing it on the phone make it more stressful?

JOANNA: I’d thought it might … it was all quite informal though and in fact they seemed very keen to talk. And I don’t think using the phone meant I got less rich data rather the opposite in fact.

SUPERVISOR: Interesting. And you were looking at how performers dress for concert performances?

JOANNA: That’s right. My research investigated the way players see their role as a musician and how this is linked to the type of clothing they decide to wear. But that focus didn’t emerge immediately. When I started I was more interested in trying to investigate the impact of what was worn on those listening, and also whether someone like a violinist might adopt a different style of clothing from, say, someone playing the flute or the trumpet.

SUPERVISOR: It’s interesting that the choice of dress is up to the individual, isn’t it?

JOANNA: Yes, you’d expect there to be rules about it in orchestras, but that’s quite rare.

——————————

SUPERVISOR: You only had women performers in your study. Was that because male musicians are less worried about fashion?

JOANNA: I think a lot of the men are very much influenced by fashion, but in social terms the choices they have are more limited … they’d really upset audiences if they strayed away from quite narrow boundaries.

SUPERVISOR: Hmm. Now, popular music has quite different expectations. Did you read Mike Frost’s article about the dress of women performers in popular music?

JOANNA: No.

SUPERVISOR: He points out that a lot of female singers and musicians in popular music tend to dress down in performances, and wear less feminine clothes, like jeans instead of skirts, and he suggests this is because otherwise they’d just be discounted as trivial.

JOANNA: But you could argue they’re just wearing what’s practical … I mean, a pop-music concert is usually a pretty energetic affair.

SUPERVISOR: Yes, he doesn’t make that point, but I think you’re probably right. I was interested by the effect of the audience at a musical performance when it came to the choice of dress.

JOANNA: The subjects I interviewed felt this was really important. It’s all to do with what we understand by performance as a public event. They believed the audience had certain expectations and it was up to them as performers to fulfil these expectations to show a kind of esteem …

SUPERVISOR: … they weren’t afraid of looking as if they’d made an effort to look good.

JOANNA: Mmm. I think in the past the audience would have had those expectation of one another too, but that’s not really the case now, not in the UK anyway.

SUPERVISOR: No.

JOANNA: And I also got interested in what sports scientists are doing too, with regard to clothing.

SUPERVISOR: Musicians are quite vulnerable physically, aren’t they, because the movements they carry out are very intensive and repetitive, so I’d imagine some features of sports clothing could safeguard the players from the potentially dangerous effects of this sort of thing.

JOANNA: Yes, but musicians don’t really consider it. They avoid clothing that obviously restricts their movements, but that’s as far as they go.

SUPERVISOR: Anyway, coming back to your own research, do you have any idea where you’re going from here?

JOANNA: I was thinking of doing a study using an audience, including ..

Leave a Reply

Your email address will not be published. Required fields are marked *

We have detected unusual activity on your device.
Please verify your identity to continue.
Note: This verification step won't sign you in. If you have a premium account, please log in to access the service as usual.
Google/Gmail Verification
Or verify using Email/Code
We've sent a verification code to:
youremail@gmail.com (Not your email?)
Enter it below to complete the verification process.
Ensure your email address is correct, your inbox is not full, and you check your spam folder. If no email arrives, consider using an alternative email.
You will need a Premium plan to perform your action!
Note: If you already have a premium account, please log in to access our services as usual.

Plans & Pricing

Our mission is to make quality education accessible for everyone.
However, to keep our hardworking team running and this service alive, we genuinely need your support!
By opting for a premium plan, not only do you sustain us in achieving the mission, but you also unlock advanced features to enrich your learning experience.

Free

For learners who aren't pressed for time

What's included on Free
100+ Cambridge IELTS Tests
Instant IELTS Writing Task 1 & 2 Evaluation (2 times/month)
Instant IELTS Speaking Part 1, 2, & 3 Evaluation (5 times/month)
Instant IELTS Writing Task 1 & 2 Essay Generator (2 times/month)
500+ Dictation & Shadowing Exercises
100+ Pronunciation Exercises
Flashcards
Other Advanced Tools

Premium

For those serious about advancing their English proficiency, and for IELTS candidates aspiring to boost their band score by 1-2 points (especially in writing & speaking) in just 30 days or less

What's included on Premium
Save Your IELTS Test Progress
Unlock All Courses & IELTS Tests
Unlimited AI Conversations
Unlimited AI Writing Enhancement Exercises
Unlimited IELTS Writing Task 1 & 2 Evaluation
Unlimited IELTS Speaking Part 1, 2, & 3 Evaluation
Checked Answers Will Not Be Published
Unlimited IELTS Writing Task 1 & 2 Essay Generator
Unlimited IELTS Speaking Part 1, 2, & 3 Sample Generator
Unlimited Usage Of Advanced Tools
Priority Support within 24h (12-month plan only)

Due to the nature of our service and the provided free trials, payments are non-refundable.
Nếu bạn là người Việt Nam và không có hoặc không muốn trả bằng credit/debit cards, bạn có thể thanh toán bằng phương thức chuyển khoản:



Chọn gói:
419,000₫ 277,000 ₫ cho gói 1 tháng (chỉ 9,233₫/ngày)
1,239,000₫ 597,000 ₫ cho gói 3 tháng (chỉ 6,633₫/ngày)
2,469,000₫ 1,027,000 ₫ cho gói 6 tháng (chỉ 5,706₫/ngày)
4,929,000₫ 1,417,000 ₫ cho gói 12 tháng (chỉ 3,936₫/ngày)


Sau khi chuyển khoản, vui lòng đợi trình duyệt tự động điều hướng bạn trở lại Engnovate và bạn sẽ ngay lập tức nhận được mã kích hoạt tài khoản premium.
Nếu có lỗi xảy ra, bạn có thể liên hệ với team thông qua một trong các phương thức: email đến helloengnovate@gmail.com hoặc nhắn tin qua facebook.com/engnovate.
Vì toàn bộ công cụ trên website đều có thể sử dụng thử miễn phí, Engnovate không hỗ trợ hoàn tiền.