The given charts illustrate the proportion of films launched through four discrepancy genres as well as their corresponding ticket traded in two distinct years, 1996 and 2000. Looking from an overall perspective, it is readily apparent that although dramatic films were released the most, spectators tended to watch comedy. Moreover, romantic movies were unpopular.
Considering the graphs, dramatic pictures achieved the highest rate of films released in both years, 27% and 35%, respectively. In contrast, romance was the lowest, accompanied with stability throughout the period. Besides, comedy and fantasy had similar tendency to fluctuate, which increased approximately 5%. The former was 20% in 1996, then achieved 25% in the next period. The latter reached the percentage of 12% in 1996 and 17% in 2000.
In addition, the ticket sales percentage has a slight alteration throughout the years. Comedy hit the peak at 20% in 1996 before accelerating to 24% in 2000. Furthermore, romance and fantasy had a contradictory habit of fluctuation. While romance tended to drop from 5% to 2%, fantasy increased considerably from 3% to 8%. There were variations in spectators’ taste. Dramatic films rose inappreciably, 16% in 1996 to 17% in 2000.