In an era where entertainment is highly valued, a number of imported films or TV programmes are rising to prominence, believed to promote a nation’s culture. Meanwhile, others, assert that a country’s own movies and TV shows should be given priority. This essay will delve into both arguments before concluding that I am in favor of the latter.
Admittedly, importing either foreign films or TV programmes brings out culturally international integration. Such works of art watched can expand a broad base of knowledge of various places beside one’s homeland, benefiting an innovation within his cultural productions. In another means, by studying how other cultures approach entertainments, religion, family structure, politics, music portrayed in movies and TV shows, we gain valuable perspectives on where ours stands about those around the globe. With this appreciation, we can start to shape our lives on the path of evolution that ultimately leads to fulfilment and unprecedented success. Take “Who wants to Be a Millionaire?” as an illustration. The international television game show franchise of British origin inspired the USA to launch its American version. By learning from it, American producers paved the way for the boom in the popularity of reality shows. Coupled with unique lighting systems, dramatic music cues, and futuristic sets, this has broken new ground for their country’s entertainment culture, single-handedly reviving interest in TV format.
However, a country producing films and TV shows of its own, actually, is an essence of reserving cultural civilization. Owing to the creations made locally narrative, the dwellers potentially feel affinity with them, for their contents and plots deeply connected to people’s lives. Therefore, traditions and cultures remains concerned topics among the public, continually enduring for present and even for future times. A noteworthy example of this case is China. What makes its intriguingly national identity standing the test of time is partly due to a myriad of movies and series. The combined elements of cultures, ancient customs, religions and world building depicted in historical dramas provoke eye-opening comprehension as to Chinese social context, instilling residents the love towards their beautiful practices. More than of commercialization, these market-driven productions initiate increasing viewership, both internationally and domestically, showcasing China’s sustainable identity in the face of globalized world.
In general, while imported films and TV programmes being a wise strategy to evolve modernization, I put a great store by nation’s movies and shows, for their aesthetics reflecting its cultural preservation and global appeal.